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  2. Meantone temperament - Wikipedia

    en.wikipedia.org/wiki/Meantone_temperament

    Twelve-tone equal temperament (12 TET) is obtained by making all semitones the same size, with each equal to one-twelfth of an octave; i.e. with ratios 12 √ 2 : 1. Relative to Pythagorean tuning , it narrows the perfect fifths by about 2 cents or ⁠ 1 / 12 ⁠ th of a Pythagorean comma to give a frequency ratio of 2 7 / 12 : 1 {\displaystyle ...

  3. Pythagorean tuning - Wikipedia

    en.wikipedia.org/wiki/Pythagorean_tuning

    12-tone Pythagorean temperament is based on a sequence of perfect fifths, each tuned in the ratio 3:2, the next simplest ratio after 2:1 (the octave). Starting from D for example (D-based tuning), six other notes are produced by moving six times a ratio 3:2 up, and the remaining ones by moving the same ratio down:

  4. Equal temperament - Wikipedia

    en.wikipedia.org/wiki/Equal_temperament

    12 tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. An equal temperament is a musical temperament or tuning system that approximates just intervals by dividing an octave (or other interval) into steps such that the ratio of the frequencies of any adjacent pair of notes is the same.

  5. Quarter-comma meantone - Wikipedia

    en.wikipedia.org/wiki/Quarter-comma_meantone

    The actual notes in a fully implemented quarter-comma scale (requiring about 31 keys per octave instead of only 12) would be consonant, like all of the uncolored intervals: The dissonance is the consequence of replacing the correct quarter-comma notes with wrong notes that happen to be assigned to the same key on the 12 tone keyboard. As ...

  6. 12 equal temperament - Wikipedia

    en.wikipedia.org/wiki/12_equal_temperament

    12-tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. 12 equal temperament (12-ET) [a] is the musical system that divides the octave into 12 parts, all of which are equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the 12th root of 2 (≈ 1.05946).

  7. Musical temperament - Wikipedia

    en.wikipedia.org/wiki/Musical_temperament

    This phenomenon gives rise to infinite shades of key-colors, which are lost in the modern standard version: 12-tone equal temperament (12-TET). Unlike meantone temperament, which alters the fifth to "temper out" the syntonic comma, 12-TET tempers out the Pythagorean comma, thus creating a cycle of fifths that repeats itself exactly after 12 steps.

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