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TiMidity++, originally and still frequently informally called TiMidity, is a software synthesizer that can play MIDI files without a hardware synthesizer. [2] It can either render to the sound card in real time, or it can save the result to a file, such as a PCM.wav file.
MIDI files do not contain any sounds, only instructions to play them. To play such files, sample-based MIDI synthesizers use recordings of instruments and sounds stored in a file or ROM chip. SoundFont-compatible synthesizers allow users to use SoundFont banks with custom samples to play their music.
A MIDI instrument can also be a stand-alone module (without a piano-style keyboard) consisting of a General MIDI soundboard (GM, GS and XG), onboard editing, including transposing, MIDI instrument selection and adjusting volume, pan, reverb levels and other MIDI controllers.
If a MIDI file is programmed to the General MIDI protocol, then the results are predictable, but timbre and sound fidelity may vary depending on the quality of the GM synthesizer. The General MIDI standard includes 47 percussive sounds, using note numbers 35-81 (of the possible 128 numbers from 0–127), as follows: [3]
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JFugue, a Java and JVM library for programming music that outputs to MIDI and has the ability to convert to formats including ABC Notation, Lilypond, and MusicXML; jMusic; JSyn; Keykit, a programming language and portable graphical environment for MIDI music composition; Kyma (sound design language)
Roland GS, or just GS, sometimes expanded as General Standard [1] [2] or General Sound, [1] is a MIDI specification. It requires that all GS-compatible equipment must meet a certain set of features and it documents interpretations of some MIDI commands and bytes sequences, thus defining instrument tones, controllers for sound effects, etc.
Logo. M-Audio was founded in the late 1990s by Tim Ryan, an engineer and graduate of the California Institute of Technology who had co-designed the Con Brio Advanced Digital Synthesizer and helped develop MIDI software for Commodore and Apple computers, including two of the best-selling MIDI software titles at that time, Studio One and Studio Two.