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Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek-inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
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Ruth Scodel is an American classicist. She is the D.R. Shackleton-Bailey Collegiate Professor of Greek and Latin, Emerita at the University of Michigan. [1] Scodel specialises in ancient Greek literature, with particular interests in Homer, Hesiod and Greek Tragedy.
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...
The original title of the play in the ancient Greek is Αἴας. Ajax is the romanized version, and Aias is the English transliteration from the original Greek. [2] Proper nouns in Ancient Greek have conventionally been romanized before entering the English language, but it has been common for translations since the end of the 20th century to use direct English transliterations of the ...
Antigone (/ æ n ˈ t ɪ ɡ ə n i / ann-TIG-ə-nee; Ancient Greek: Ἀντιγόνη) is an Athenian tragedy written by Sophocles in (or before) 441 BC and first performed at the Festival of Dionysus of the same year. It is thought to be the second-oldest surviving play of Sophocles, preceded by Ajax, which was written around the same period.
The Origins and Early Forms of Greek Tragedy, Cambridge, Massachusetts 1965. The Origins of ΤΡΑΓΩΙΔΙΑ, Hermes 85, 1957, pp. 17–46. Flickinger, Roy Caston, The Greek theater and its drama, Chicago, University of Chicago Press, 1918; Foley, Helene, Female Acts in Greek Tragedy, Princeton: Princeton University Press 2001.
Early Greek tragedy was performed by a chorus and two actors, but by the end of Aeschylus' life, a third actor had been introduced, either by him or by Sophocles. [60] The last surviving Greek tragedies are the Bacchae of Euripides and Sophocles' Oedipus at Colonus, both from the end of the fifth century BC. [61]