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A new approach could be seen with tracks such as "Nightbook", and "Lady Labyrinth" where the element of percussion was utilized along the piano, acting as a driving force throughout the song. In Italy the album went Gold with more than 35,000 copies sold. [2] Einaudi describes this album as "A night-time landscape.
One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Chopin's later work. The left hand has an unbroken sequence of eighth notes in simple arpeggios throughout the entire piece, while the right hand moves with freedom, occasionally in patterns of seven, eleven, twenty, and twenty-two in the form of polyrhythms.
Previn in 2012. André Previn has composed film scores (including many songs), jazz pieces and contemporary classical music. His earliest compositions known at least by name/type are student works from the mid-1940s (a clarinet sonata, a string quartet, a rhapsody for violin and orchestra and some art songs).
Music for Piano 2, for piano (May 1953) Music for Piano 4–19, for any number of pianos (May 1953) Music for Piano 3, for piano (June 1953) 59½" For a String Player, for any 4-string instrument (July 2, 1953) Music for Piano 20, for piano (August 20, 1953) Music for Carillon No. 2, for carillon (January 1954; 2-octave version made in January ...
A Book of Music for two prepared pianos (1944) Experiences No. 1 (1945) Three Dances for two prepared pianos (1945) Furniture Music Etcetera (1980) Two 2 (1989) Cornelius Cardew (1936-1981) Two Books of Study for Pianists (1958) Boolavogue (1981) Jacques Castérède (born 1926) Crosses on Fire for 2 pianos (Feux croisés pour deux pianos) (1963)
for 4 violins, 2 violas and 2 cellos: Chamber music: 1958: ソン・カリグラフィ II: Le Son-calligraphié II: for 4 violins, 2 violas and 2 cellos: Chamber music: 1959: シーン: Scene: for cello and piano: also for cello and string orchestra Chamber music: 1959–1960: マスク: Masque: for 2 flutes: Chamber music: 1960: ソン ...
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From the early years, 12 romances for voice and piano to words by Konstantin Balmont, Op. 2 (1903-1906, revised and combined into a cycle: 1945) On the Border, 18 romances on words by Zinaida Gippius for medium and deep voice with piano, Op. 4 (1904-1908) Songs on Verses of Zinaida Gippius (Three pieces for voice and piano), Op. 5 (1905-1908)
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