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The Letter of Lentulus (/ ˈ l ɛ n t j ə l ə s /) is an epistle of mysterious origin that was first widely published in Italy in the fifteenth century. It purports to be written by a Roman official, contemporary of Jesus, and gives a physical and personal description of Jesus. The letter may have influenced how Jesus was later physically ...
Keith, Le Donne, and others [note 4] argue for a "social memory" approach, which states that memories are shaped by the needs of the present and that instead of searching for a historical Jesus, scholarship should investigate how the memories of Jesus were shaped, and how they were reshaped "with the aim of cohesion and the self-understanding ...
Historically, monothelitism was closely related to monoenergism, a theological doctrine that holds Jesus Christ as having only one energy. Both doctrines were at the center of Christological disputes during the 7th century. [1] Monothelitism is from Greek: μονοθελητισμός, romanized: monothelētismós, lit. 'doctrine of one will'.
The Koine Greek terms used in the New Testament of the structure on which Jesus died are stauros (σταυρός) and xylon (ξύλον).These words, which can refer to many different things, do not indicate the precise shape of the structure; scholars have long known that the Greek word stauros and the Latin word crux did not uniquely mean a cross, but could also be used to refer to one, and ...
In antiquity, the cross, i.e. the instrument of Christ's crucifixion (crux, stauros), was taken to be T-shaped, while the X-shape ("chiasmus") had different connotations.. There has been scholarly speculation on the development of the Christian cross, the letter Chi used to abbreviate the name of Christ, and the various pre-Christian symbolism associated with the chiasmus interpreted in terms ...
In the Acts of the Apostles, Jesus is said to have manifested as a "light from heaven" that temporarily blinded the Apostle Paul, but no specific form is given. In the Book of Revelation there is a vision the author had of "someone like a Son of Man" in spirit form: "dressed in a robe reaching down to his feet and with a golden sash around his ...
Part of the 6th-century Madaba Map asserting two possible baptism locations The crucifixion of Jesus as depicted by Mannerist painter Bronzino (c. 1545). There is no scholarly consensus concerning most elements of Jesus's life as described in the Christian and non-Christian sources, and reconstructions of the "historical Jesus" are broadly debated for their reliability, [note 7] [note 6] but ...
These depictions of Jesus with reddish brown hair which is parted in the middle and almond shaped eyes remained consistent for several centuries. [18] At this time, various legends were developed in order to validate the styles of the depictions, e.g. the image of Edessa and later the Veil of Veronica. [18]