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The Well-Tempered Accompanist. Bryn Mawr, PA: Theodore Presser, 1949. Cranmer, Philip. The Technique of Accompaniment. London: Dennis Dobson, 1970. Dian Baker. “A Resource Manual for the Collaborative Pianist: Twenty Class Syllabi for Teaching Collaborative Piano Skills and an Annotated Bibliography.” DMA doc., Arizona State University, 2006.
David Graham Miller AM [1] is an Australian collaborative pianist. Along with Geoffrey Collins he was nominated for the 1990 ARIA Award for Best Classical Album for their album Flute Australia Volume 2 (2MBS-FM). He performed on the first full recording of Boojum by Peter and Martin Wesley-Smith with Sydney Philharmonia motet choir. [2]
Elena Fomicheva was born in Russia. She started her piano studies at age six in Saint Petersburg.In 2006, she graduated with a bachelor's degree from Modest Mussorgsky College of Music.
Mozart's Piano Sonata, K 545 opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is arpeggiated (i.e., a chord in which the notes are played one after the other, rather than simultaneousl
Martin Katz (born November 27, 1945) [1] is an American pianist, educator and conductor, primarily known for his work as an accompanist.. Katz was trained as a collaborative pianist by Gwendolyn Koldofsky at the Thornton School of Music, part of the University of Southern California; where he was a member of the USC's music fraternity Phi Mu Alpha Sinfonia.
Gerald Moore CBE (30 July 1899 – 13 March 1987) was an English classical pianist best known for his career as a collaborative pianist for many distinguished musicians. Among those with whom he was closely associated were Dietrich Fischer-Dieskau , Kathleen Ferrier , Elisabeth Schumann , Hans Hotter , Elisabeth Schwarzkopf , Victoria de los ...
In 2004, Lady J met Lady Gaga at the CAP21 musical-theater conservatory in New York, where she served as an accompanist and music director. [4] [5] [6] Our Lady J made her Carnegie Hall debut with the New York City Gay Men's Chorus in 2004, and continued to perform as their pianist until 2007. [7]
Following a successful audition at ABC in the 1950s (for which she played her own arrangement of Tico Tico), Peggy started appearing regularly as accompanist and ensemble pianist on broadcasts, while simultaneously playing with her trio in Melbourne nightspots, accompanying cabarets by artistes such as a young Barry Humphries, Juanita Hall and ...