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17,1 x 17,3 c. 1504 Three Graces: Musée Condé, Chantilly, France: Oil on panel 17 x 17 1504–1505 The Procession to Calvary (Raphael) [Wikidata] National Gallery, London, United Kingdom: Oil on panel 24,4 x 85,5 1504–1505 Madonna del Granduca: Palazzo Pitti, Florence, Italy: Oil on panel 84,4 x 55,9 1505: Ansidei Madonna: National Gallery ...
Saint Catherine of Alexandria (Raphael) Saint George (Raphael, Louvre) Saint George and the Dragon (Raphael) Saint Margaret and the Dragon (Raphael) Saint Michael (Raphael) Saint Michael Vanquishing Satan; Saint Sebastian (Raphael) Sibyls (Raphael) Stufetta del cardinal Bibbiena
Raffaello Sanzio da Urbino [a] (Italian: [raffaˈɛllo ˈsantsjo da urˈbiːno]; March 28 or April 6, 1483 – April 6, 1520), [2] [b] now generally known in English as Raphael (UK: / ˈ r æ f eɪ. ə l / RAF-ay-əl, US: / ˈ r æ f i. ə l, ˈ r eɪ f i-, ˌ r ɑː f aɪ ˈ ɛ l / RAF-ee-əl, RAY-fee-, RAH-fy-EL), [4] was an Italian painter and architect of the High Renaissance.
An early modello for the painting, done in Raphael's studio by Giulio Romano, depicted a 1:10 scale drawing for The Transfiguration. Here Christ is shown on Mount Tabor. Moses and Eljah float towards him; John and James are kneeling to the right; Peter is to the left. The top of the model depicts God the Father and a throng of angels. [3]
The Saint Cecilia Altarpiece is an oil painting by the Italian High Renaissance master Raphael.Completed in his later years, in around 1516–1517, the painting depicts Saint Cecilia, the patron saint of musicians and Church music, listening to a choir of angels in the company of Saints Paul, John the Evangelist, Augustine and Mary Magdalene.
Raphael at the Vatican (French: Raphaël au Vatican) is an 1832 history painting by the French artist Horace Vernet. It depicts an encounter in Rome between the Renaissance artists Raphael and Michelangelo. It is in the collection of the Louvre, in Paris. [1] [2]
The Liberation of Saint Peter is a fresco painting by the Italian High Renaissance artist Raphael. [1] It was painted in 1514 as part of Raphael's commission to decorate with frescoes the rooms now known as the Stanze di Raffaello , in the Apostolic Palace in the Vatican .
The painting possesses an esthetic influence from Pinturicchio and Melozzo da Forlì, though the spatial orchestration of the work, with its tendency to movement, shows Raphael's knowledge of the Florentine artistic milieu of the 16th century. [2] The work was acquired by the São Paulo Museum of Art in 1954.