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Aztec codices (Nahuatl languages: ... Guide to Ethnohistorical Sources: Part Three is devoted to Middle American pictorial manuscripts, including numerous ...
The codex is written using traditional Aztec pictograms with a translation and explanation of the text provided in Spanish. It is named after Don Antonio de Mendoza (1495-1552), the viceroy of New Spain , who supervised its creation and who was a leading patron of native artists.
During the 19th century, the word 'codex' became popular to designate any pictorial manuscript in the Mesoamerican tradition. In reality, pre-Columbian manuscripts are, strictly speaking, not codices, since the strict librarian usage of the word denotes manuscript books made of vellum, papyrus and other materials besides paper, that have been sewn on one side. [1]
Tlālōcān (Nahuatl pronunciation: [t͡ɬaːˈloːkaːn̥]; "place of Tlāloc") is described in several Aztec codices as a paradise, ruled over by the rain deity Tlāloc and his consort Chalchiuhtlicue. It absorbed those who died through drowning or lightning, or as a consequence of diseases associated with the rain deity.
The Codex Borbonicus is considered by some to be the only extant Aztec codex produced before the conquest – it is a calendric codex describing the day and month counts indicating the patron deities of the different periods. [27] Others consider it to have stylistic traits suggesting a post-conquest production. [130]
Aztlán is also depicted as some island in the Aubin and Azcatitlan codices. [7] Friar Diego Durán (c. 1537 –1588), who chronicled the history of the Aztecs, wrote of Aztec emperor Moctezuma I's attempt to recover the history of the Mexica by congregating warriors and wise men on an expedition to locate Aztlán. According to Durán, the ...
Nahuatl glyph of a calmecac (codex Mendoza, recto of the folio 61).. The Calmecac ([kaɬˈmekak], from calmecatl meaning "line/grouping of houses/buildings" and by extension a scholarly campus) was a school for the sons of Aztec nobility (pīpiltin [piːˈpiɬtin]) in the Late Postclassic period of Mesoamerican history, where they would receive rigorous training in history, calendars ...
The entirety of the Codex is characterized by the Nahua belief that the use of color activates the image and causes it to embody the true nature, or ixiptla, of the object or person depicted. For the Aztecs, the true self or identity of a person or object was shown via the external layer, or skin.