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Nowhere to Go was the first Ealing film under the MGM arrangement not to receive a standalone release. Instead, MGM trimmed the film to a length of 89 minutes and released it in the UK on the bottom half of a double bill with the World War II submarine drama Torpedo Run (1958). The pairing premiered in the West End on 4 December 1958 at Fox's ...
In 1942 he joined a documentary film company, Strand, as assistant editor.He worked at Ealing Studios from 1943, at the recommendation of Hamer. [5] He was an editing assistant on films such as Champagne Charlie (1944), The Return of the Vikings (1944), Dead of Night (1945), The Captive Heart (1946), Hue and Cry (1947), Frieda (1947), Scott of the Antarctic (1948), Kind Hearts and Coronets ...
Nowhere to Go, a 2004 album by Takayoshi Ohmura "Nowhere to Go" (Hayden James song), a 2019 single by Hayden James "Nowhere to Go", a song by Agnostic Front from their 1999 album Riot, Riot, Upstart
In film: Nowhere to Hide, a television film starring Lee Van Cleef and Tony Musante; Nowhere to Hide, a film starring Amy Madigan and Daniel Hugh Kelly; Nowhere to Hide, a documentary film produced by Jon Alpert together with Ramsey Clark; Nowhere to Hide, a TV movie starring Rosanna Arquette and Scott Bakula
Nowhere is a 2023 Spanish survival thriller film directed by Albert Pintó [] from a screenplay by Ernest Riera, Miguel Ruz, Indiana Lista, Seanne Winslow, and Teresa Rosendoy which stars Anna Castillo alongside Tamar Novas.
"Nowhere to Go" Ronald Chesney and Ronald Wolfe: 27 November 1970 () 28: 2 "The Canteen Girl" Ronald Chesney and Ronald Wolfe: 4 December 1970 () 29: 3 "Dangerous Driving" Ronald Chesney and Ronald Wolfe: 11 December 1970 () 30: 4 "The Other Woman" Ronald Chesney and Ronald Wolfe: 18 December 1970 () 31: 5 "Christmas Duty"
The rest of the file reads more like a child’s report card than the treatment history of a man with a complicated disease. Staff assessed Patrick’s performance during his group meetings on the Big Book, checking off boxes for “listens attentively” and “good” participation level.
Albert Mobilio described the memoir as a "cause for hope and shame. It’s a story about running and a story about having nowhere to go." [2] Stephanie Striker was impressed by the harrowing details of Rembert's life, particularly the lynching attempt against him, and appreciated the book's themes of hope and love in the face of such adversity. [3]