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Image manipulation software has affected the level of trust many viewers once had in the aphorism "the camera never lies". [40] Images may be manipulated for fun, aesthetic reasons, or to improve the appearance of a subject [41] but not all image manipulation is innocuous, as evidenced by the Kerry Fonda 2004 election photo controversy.
Image warping is the process of digitally manipulating an image such that any shapes portrayed in the image have been significantly distorted. Warping may be used for correcting image distortion as well as for creative purposes (e.g., morphing [1]). The same techniques are equally applicable to video.
Photomontage of kiwifruit and lemons, digitally manipulated using GIMP. Photomontage is the process and the result of making a composite photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image. [1]
Video manipulation is a type of media manipulation that targets digital video using video processing and video editing techniques. The applications of these methods range from educational videos [ 1 ] to videos aimed at ( mass ) manipulation and propaganda , a straightforward extension of the long-standing possibilities of photo manipulation .
Dodging and burning are techniques used during the printing process to manipulate the exposure of select areas on a photographic print, deviating from the rest of the image's exposure. In a darkroom print from a film negative, dodging decreases the exposure for areas of the print that the photographer wishes to be lighter, while burning ...
Visual effects (sometimes abbreviated as VFX) is the process by which imagery is created or manipulated outside the context of a live-action shot in filmmaking and video production. The integration of live-action footage and other live-action footage or CGI elements to create realistic imagery is called VFX.
Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning , and masking , which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.
Even simple digital techniques afford greater flexibility than optical techniques, including the ability to choose the region of sharpness and the amount of blur for the unsharp areas after the photograph has been taken. In addition, digital miniature faking does not require a camera with movements or a special lens.
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