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Recapitulation. Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 58-80 Play ⓘ. [1] In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition.
Early examples of sonata form resemble two-reprise continuous ternary form. [1] Sonata form, optional features in parentheses [2]. The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation.
It is considered a somewhat relaxed and discursive form. Thus, it is unsuited to an opening movement (typically the musically tightest and most intellectually rigorous movement in a Classical work). It is, exceptionally, used in the opening Andante movement of Haydn's D-major piano sonata Hob.
Sonata Theory, in contrast, reserves the term "recapitulation" for instances in which the beginning of a rotation coincides with the return of the tonic key. Thus, the arrival of S in the middle of a Type 2 second rotation functions as a "tonal resolution" but not as the beginning of a recapitulation, because it does not initiate a new rotation.
The symphony, generally considered to be one piece, nevertheless divides into multiple movements (which can usually work as a self-contained piece if played alone). This level of musical form, though it again applies and gives rise to different genres, takes more account of the methods of musical organisation used.
Still in the first movement, a development begins that leads to the first theme of the exposition being worked in a number of keys. At the point where the music is in the dominant and seemingly ready to move the tonic for a recapitulation, the music segues to the slow movement. The slow movement is in rondo form (A–B–A–C–A–B). Again ...
It continues with a melancholy second theme in A-flat major which builds up to the very majestic ending of the 1st movement's exposition. There is a turbulent development section, followed by a recapitulation of the two main themes, in slightly varied form and with the modulations altered to bring the second theme back in F major. The movement ...
The first movement is in sonata form: after an introduction follows an exposition that ends with a repeat sign, a development, a recapitulation and a coda. The introduction is twenty measures long and marked "Adagio".