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Synth-pop (short for synthesizer pop; [10] also called techno-pop [11] [12]) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. [13]
Synth-pop (also known as electropop or technopop) [1] [2] is a music genre that uses the synthesizer as the dominant musical instrument. With the genre becoming popular in the late 1970s and 1980s, the following article is a list of notable synth-pop acts, listed by the first letter in their name (not including articles such as "a", "an", or "the").
[29] [30] Later, critical consensus favored "new wave" as an umbrella term involving many contemporary popular music styles, including synth-pop, alternative dance and post-punk. [ 14 ] [ 31 ] [ 30 ] The main new wave movement coincided with late 1970s punk and continued into the early 1980s.
The result was an evolution of pop music that incorporated elements of funk, rock, soul, R&B, and jazz. The band released their self-titled debut album in 1971. ... In 1970, the funk rock ...
After the breakthrough of Tubeway Army and Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound and they came to dominate the pop music of the early 1980s. Bands that emerged from the New Romantic scene and adopted synth-pop included Duran Duran, Visage, and Spandau Ballet. [43]
New wave synth-pop bands of the 1970s and 1980s should be categorized under Category:Synth-pop new wave musical groups. Subcategories This category has the following 2 subcategories, out of 2 total.
The 1970s saw the first major flowering of British reggae with bands such as The Cimarons, Aswad and Matumbi. Jamaican music began to influence British pop music, punk rock and the 2 Tone genre with the rise of the (often interracial) bands, such as The Specials, Madness, The Selecter and The Beat. [46]
"Popcorn" (first version "Pop Corn") is an instrumental song composed by Gershon Kingsley in 1969 for the album Music to Moog By. It was performed on the Moog synthesizer and released on the Audio Fidelity label. The name is a combination of pop for pop music and corn for kitsch. [3]
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