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Engraving by Baldini after Botticelli, from the 1481 book. The drawings in the manuscript were not the first to be created by Botticelli for the Divine Comedy.He also illustrated another Commedia, this time a printed edition with engravings as illustrations, that was published by Nicholo di Lorenzo della Magna in Florence in 1481, and is mentioned by Vasari.
Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530. The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (), Purgatorio (), and Paradiso () – each consisting of 33 cantos (Italian plural canti).
The Paradiso assumes the medieval view of the Universe, with the Earth surrounded by concentric spheres containing planets and stars. Dante and Beatrice speak to the teachers of wisdom Thomas Aquinas, Albertus Magnus, Peter Lombard and Sigier of Brabant in the Sphere of the Sun (fresco by Philipp Veit), Canto 10.
The Divine Comedy by Dante Alighieri is an epic poem in Italian written between 1308 and 1321 that describes its author's journey through the Christian afterlife. [1] The three cantiche [i] of the poem, Inferno, Purgatorio, and Paradiso, describe Hell, Purgatory, and Heaven, respectively.
The Barque of Dante (French: La Barque de Dante), also Dante and Virgil in Hell (Dante et Virgile aux enfers), is the first major painting by the French artist Eugène Delacroix, and is a work signalling the shift in the character of narrative painting, from Neo-Classicism towards Romanticism. [1]
Self portrait, 1816 The Empyreum and Figures of the Celestial Spheres of Paradiso after Dante's Divine Comedy, Casino Massimo, Rome, fresco, 1817–1827 Paradiso, Canto III: Dante and Beatrice speak to Piccarda and Constance of Sicily, detail, Casino Massimo, Rome, fresco, 1817–1827 Franz Ludwig Catel, Crown Prince Ludwig in the Spanish Tavern in Rome, 1824 Immaculate conception, 1830, oil ...
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