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Giovanni Antonio Sangiorgio [1] (died 14 March 1509) was an Italian canon lawyer and Cardinal. [2] Agostino Oldoino calls him the leading jurisconsult of his age. [3] Kenneth Pennington has called him one of the ‘last two great commentators on feudal law’.
Giorgio Orsolano (3 June 1803 – 17 March 1835), known as The Hyena of San Giorgio, was an Italian serial killer who committed three murders. Biography ...
People with the name San Giorgio or Sangiorgio include: The Master of the Antiphonal Q of San Giorgio Maggiore (active between 1440 and 1470), an Italian painter of illuminated manuscripts Giovanni Antonio Sangiorgio (died 1509), Italian canon lawyer and Cardinal of Alessandria
Born in poverty in Savona, Riario was the son of Antonio Sansoni and Violante Riario, a niece of Francesco della Rovere, who became Pope Sixtus IV in 1471. [2]Being the relative of a Pope Sixtus IV, he was created Cardinal of San Giorgio in Velabro on 10 December 1477 [3] and was named Administrator of several dioceses: (diocese of Cuenca, diocese of Pisa, diocese of Salamanca, diocese of ...
Eusebio da San Giorgio or Eusebio di Jacopo di Cristoforo da San Giorgio (c. 1470 – c. 1550) was an Italian painter of the Renaissance period. Biography.
Born in Milan, Sangiorgio studied at the city's Accademia di Brera.During his early career he worked for the Fabbrica del Duomo di Milano; later he received numerous commissions for large public sculptures in places including Turin (a Castor and Pollux for the Palazzo Reale), Milan, Brescia and Casale Monferrato (an equestrian portrait of Charles Albert of Piedmont-Sardinia).
[2] [3] The earlier biography did not survive. [4] The Short Life primarily presents Gerard as a bishop. [1] The majority of scholars regard the Short Life the most reliable source of Gerard's life. [3] The Long Life of Saint Gerard is a compilation of multiple sources, including the biography that the author of the shorter legend had also ...
The plaque commemorating the foundation of the Palazzo San Giorgio The project of the new public building, as recalled by a plaque affixed to the façade facing the city, was entrusted to Friar Oliverio, a monk from the Abbey of Sant'Andrea in Sestri Ponente , who had previously designed the extension to the sea of the Old Pier.