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"Wet Dream" is a song by Jamaican reggae singer Max Romeo first released in 1968 on the Unity Records label. [1] The song, with its controversial lyrics, remains Romeo's biggest commercial hit. Background
"Wake the Town" quickly went to number one on Jamaica's pop music charts, along with "Rule the Nation" at number two, [2] and many other deejays began to adopt his style. [3] These two songs, along with "Wear You to the Ball", established U-Roy as a dancehall star [ 1 ] and helped create the deejay sound.
Johnny Osbourne (born Errol Osbourne, 1948) [1] is one of the most popular Jamaican reggae and dancehall singers of all time, who rose to success in the late 1970s and mid-1980s. His album Truths and Rights was a roots reggae success, and featured "Jah Promise" and the album's title track, "Truths and Rights".
His 2000 album Simply Being Me reached number 14 on the US Billboard Top Reggae Albums chart, and 2002's Stays on My Mind hit number 9. [ 7 ] Primarily known for love songs and cover versions of pop and R&B songs, in the 1990s he mixed gospel themes with other topics on his albums, and released the totally gospel Who is This Man in 1999 and He ...
Reggae Golden Jubilee (official album title: Reggae Golden Jubilee - Origins of Jamaican Popular Music) is a compilation album that commemorates Jamaica’s 50th anniversary of independence. [1] It was released on 6 November 2012. [ 1 ]
Warrior King's musical career began in high school where he performed in talent shows. At that time, he followed the musical style of reggae artiste Bounty Killer. [3]Over time, his style evolved eventually leading to his international chart topping single Virtuous Woman in 2001 (produced by Michael "Mikey John" Johnson)for Lion Paw Productions. [4]
Desmond Méndez [1] (born 6 April 1980), better known as Charly Black, alternatively known as Charly Blacks, and originally known as Tony Mentol, is a Jamaican reggae and dancehall singer, selector and singjay.
My Boy Lollipop was the first album for Jamaican singer Millie Small and her only album for Smash Records. The title track has been credited by NME with sparking the popularity of reggae and ska, as well as opening doors for other genres of Jamaican music on the global stage. [1] The album peaked at No. 132 on the Billboard 200 on Aug. 29, 1964.
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