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Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
The drawing is related to the etching B095 : Study for Judas Returning the Thirty Pieces of Silver: c. 1628-1629?? Private collection: The drawing is related to the painting W23 : Standing Beggar in Lost Profile: c. 1628-1629: Pen: 29.4 x 17 cm: Rijksmuseum Amsterdam: The drawing is related to the etching B162 : Self-portrait with Open Mouth: c ...
A man making water: 1631 B191: 1: A woman making water: 1631 B260: 3: Bust of an old bearded man, looking down, three-quarters right: 1631 B263: 4: Bearded man, in a furred oriental cap and robe [The artist's father?] 1631 B315: 2: Old man with a flowing beard: bust: 1631 B348: 3: The artist's mother seated, in an oriental headdress: half ...
The Ackland Art Museum opens a new exhibit with rarely seen works from the Dutch master Rembrandt. Rare Rembrandt drawings on display, many for first time, at Ackland Art Museum in NC Skip to main ...
Rembrandt's self-portraits were created by the artist looking at himself in a mirror, [16] and the paintings and drawings therefore reverse his actual features. In the etchings the printing process creates a reversed image, and the prints therefore show Rembrandt in the same orientation as he appeared to contemporaries. [17]
The field of Rembrandt studies (study of Rembrandt's life and work, including works by his pupils and followers)—as an academic field in its own right with several noted Rembrandt connoisseurs and scholars—has been one of the most dynamic research areas of Netherlandish art history.
An etching created by Rembrandt more than 350 years ago has been deemed to be too explicit for open viewing by international auction house Christie’s. “The French Bed,” drawn by the Dutch ...
Rembrandt's Hundred Guilder print, as it has become known, has been famous since his own day for the extraordinarily high price it fetched. A letter to Carolus van den Bosch, the Bishop of Bruges, in 1654, only a few years after it was completed, claimed that "in Holland [it] has been sold various times for 100 guilders and more", saying it was "very fine and lovely, but ought to cost 30 ...