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The Spoliarium is a painting by Filipino painter Juan Luna. Luna, working on canvas , spent eight months completing the painting which depicts dying gladiators. The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid , where it garnered the first gold medal (out of three). [ 1 ]
Media, or mediums, are the core types of material (or related other tools) used by an artist, composer, designer, etc. to create a work of art. [1] For example, a visual artist may broadly use the media of painting or sculpting, which themselves have more specific media within them, such as watercolor paints or marble.
Pragmatic readings emphasize the utility of re-used materials: if there is a good supply of old marble columns available, for example, there is no need to produce new ones. The two approaches are not mutually exclusive, and there is certainly no one approach that can account for all instances of spoliation, as each instance must be evaluated ...
A study (boceto) for what would become the final painting was created in 1880, modeled on an 1874 painting of the death of Cleopatra by the French painter Jean-André Rixens. [12] Unlike the final piece, the boceto was sold for ₱9.3 million at an auction by Salcedo Auctions in March 2019.
In 2008, The Blood Compact and other Luna works became a part of a twenty-three painting exhibition from the collection of the Bank of the Philippine Islands.The public exhibition celebrated the thirtieth anniversary of the Bank of the Philippines Islands, and marked the first time that the so-called "BPI collection" was shown to the public.
Hymen, oh Hyménée! is a history painting done in the historical realism style, which is closely associated with Luna's earlier notable works such as Spoliarium (1884) and The Death of Cleopatra (1881). This artwork portrays a scene from a Roman wedding ritual, specifically the moment when the bride is entering the groom's chamber.
In 1886, Luna was awarded a Diploma of Honor at the Munich Art Exposition [4] (also known as the Munich Salon) for painting Las Damas Romanas. [ 2 ] [ 3 ] The masterpiece was a classic work painted in the highest conventions of the academic style, and it was a representative of the "abundant richness of life, with humankind", represented by ...
This portion of the painting is the steady "solitary form" in black color going against the shimmering red backdrop. Measuring 80.65 cm x 108.59 cm, La barca de Aqueronte is a "companion piece" to Hidalgo’s other painting, La Laguna Estigia (The River Styx). [1] [2] [8]