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  2. Bokeh - Wikipedia

    en.wikipedia.org/wiki/Bokeh

    In photography, bokeh (/ ˈ b oʊ k ə / BOH-kə or / ˈ b oʊ k eɪ / BOH-kay; [1] Japanese:) is the aesthetic quality of the blur produced in out-of-focus parts of an image, whether foreground or background or both. It is created by using a wide aperture lens.

  3. Brenizer method - Wikipedia

    en.wikipedia.org/wiki/Brenizer_Method

    The combination of these characteristics enables a photographer to mimic the look of large format film photography with a digital camera. Large format cameras use a negative that is at least 4×5 inches (102×127 mm) and are known for their very shallow depth of field when using a wide aperture and their unique high level of clarity, contrast ...

  4. Photography - Wikipedia

    en.wikipedia.org/wiki/Photography

    This is an accepted version of this page This is the latest accepted revision, reviewed on 8 January 2025. Art and practice of creating images by recording light For other uses, see Photography (disambiguation). Photography of Sierra Nevada Photography is the art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically ...

  5. Simplicity (photography) - Wikipedia

    en.wikipedia.org/wiki/Simplicity_(photography)

    Backgrounds can be entirely neutral, like a solid backdrop or a cloudless sky; or they can complement the image, like a starfish on the sand. A more technical method of achieving simplicity involves focusing on the subject while ensuring the background is out of focus.

  6. Exposing to the right - Wikipedia

    en.wikipedia.org/wiki/Exposing_to_the_right

    In digital photography, exposing to the right (ETTR) is the technique of adjusting the exposure of an image as high as possible at base ISO (without causing unwanted saturation) to collect the maximum amount of light and thus get the optimum performance out of the digital image sensor. [1] [2] [3] [4]

  7. Dodging and burning - Wikipedia

    en.wikipedia.org/wiki/Dodging_and_burning

    An excellent example is the photograph Schweitzer with lamp at his desk by W. Eugene Smith, [2] from his 1954 photo essay A Man of Mercy on Dr. Albert Schweitzer and his humanitarian work in French Equatorial Africa. The image took 5 days to produce, in order to reproduce the tonal range of the scene, which ranges from a bright lamp (relative ...

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