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Decades before the video revolution of the late 1970s/early 1980s, there was a small but devoted market for home films in the 16 mm, 9,5 mm, 8 mm, and Super 8 mm film market. Because most individuals in the United States owning projectors did not have one equipped with sound, vintage silent films were particularly well-suited for the market.
The sound film had to be the same overall thickness as silent film which the camera could also accept. Although the rebated stock was more expensive to manufacture, a balance stripe on the opposite side of the film was rendered unnecessary and offset the cost. Fuji later developed a thinner film that did not require rebating, but the balance ...
Super 8 was criticized because the film gates in some cheaper Super 8 cameras were plastic, as was the pressure plate built into the cartridge; while the standard 8 cameras had a permanent metal film gate that was regarded as more reliable in keeping the film flat and the image in focus. In reality, this was not the case, since the plastic ...
Super 8 and 8 mm film formats – magnetic sound stripes are shown in gray. Super 8 mm film is a motion-picture film format released in 1965 [1] [2] [3] by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format.
Frame 150 from the Zapruder film. Kennedy's limousine has just turned onto Elm Street, moments before the first shot. The Zapruder film is a silent 8mm color motion picture sequence shot by Abraham Zapruder with a Bell & Howell home-movie camera, as United States President John F. Kennedy's motorcade passed through Dealey Plaza in Dallas, Texas, on November 22, 1963.
Super 8mm film cameras do not need to use the Super 8mm film produced by Kodak, but other film stocks produced by companies such as Fujifilm and independents (in the form of re-packaged film) are compatible. The only difference to the films is the cartridge used to insert them into the camera. All lengths of film sold are of 50 ft (15 m) lengths.
Silent film has no standard speed; many amateur formats have several common speeds, but no standard. Negative lenses indicates whether spherical (normal) or anamorphic lenses are used on the original camera negative, and if anamorphic lenses, what anamorphic power is used. Projection gauge is the film gauge (width) used for the release print.
List of lost films; List of lost silent films (1910–1914) List of lost silent films (1915–1919) List of lost silent films (1920–1924) List of lost silent films (1925–1929) List of incomplete or partially lost films; List of lost or unfinished animated films; List of rediscovered films; List of rediscovered film footage
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