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Bosch's works are generally organised into three periods of his life dealing with the early works (c. 1470–1485), the middle period (c. 1485–1500), and the late period (c. 1500 until his death). According to Stefan Fischer, thirteen of Bosch's surviving paintings were completed in the late period, with seven attributed to his middle period ...
Ludwig von Baldass (1917) considered the painting to be an early work by Bosch. [50] However, since De Tolnay (1937) [51] consensus among 20th-century art historians placed the work in 1503–1504 or even later. Both early and late datings were based on the "archaic" treatment of space. [52]
Bosch's works are generally organized into three periods of his life dealing with the early works (c. 1470–1485), the middle period (c. 1485–1500), and the late period (c. 1500 until his death). According to Stefan Fischer, thirteen of Bosch's surviving paintings were completed in the late period, with seven surviving paintings attributed ...
Modern attribution of the painting (to an as yet anonymous follower of Bosch) was based on an analysis of the music in the open book, which shows notes of the chanson Toutes les nuictz by Thomas Crecquillon from 1549. [2] The work was bought in 1890 for 400 francs by the Palais des Beaux-Arts de Lille from Morhange, a Parisian art dealer. [1]
Ecce Homo is a painting of the episode in the Passion of Jesus by the Early Netherlandish painter Hieronymus Bosch, painted between 1475 and 1485.The original version, with a provenance in collections in Ghent, is in the Städel Museum in Frankfurt; a copy is held the Museum of Fine Arts in Boston.
Fourcaud, L. de (January 1912–February 1912) ‘Hieronymus van Aken, dit Jérôme Bosch (vers 1460 † 1516). I-II’ , La Revue de l'Art Ancien et Moderne , vol. XXXI, p. 172, with image in black and white, as les Délices terrestres .
In about 1494, Peeter Scheyfve (-1507) and Agnes de Gramme (?-about 1497) commissioned this altarpiece. They were wealthy burghers in Antwerp. [2] The painting was in the El Escorial monastery, and was mentioned in 1605 as an "Epiphany without any extravaganza" by Fra Jose de Siguenza, and its being unlike Bosch's other work there. [3]
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