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The Chinese character fu (福; fú ⓘ), meaning 'fortune' or 'good luck' is represented both as a Chinese ideograph and, at times, pictorially, in one of its homophonous forms. It is often found on a figurine of the male god of the same name, one of the trio of "star gods" Fú , Lù , and Shòu .
Classical fu composers tended to use as wide a vocabulary as possible in their compositions, and therefore fu often contain rare and archaic Chinese words and characters. [5] The fu genre came into being around the 3rd to 2nd centuries BC and continued to be regularly used into the Song dynasty (960–1279).
During the Western Jin period, fu writing moved away from the extravagant style of the Han dynasty and toward the style of "fu on things". [25] Rather than use fu to laud the glories of the Emperor or the Chinese empire, fu writers often had mundane subjects. [26]
Ban Gu (AD 32–92) was a Chinese historian, poet, and politician best known for his part in compiling the Book of Han, the second of China's 24 dynastic histories.He also wrote a number of fu, a major literary form, part prose and part poetry, which is particularly associated with the Han era.
Wen fu (traditional Chinese: 文賦; simplified Chinese: 文赋), translated as "Essay on Literature", "The Poetic Exposition on Literature" or "Rhymeprose on Literature", is an important work in the history of fu poetry itself written in the Fu poetic form by the poet, general, and statesman Lu Ji (261–303), which expounds the philosophical basis of poetry and its rhetorical forms. [1]
Han dynasty Chinese talisman, part of the Wucheng Bamboo-slips []. Scholarly research into the history of Taoist symbolism has always been a particular challenge, because historically, Taoist priests have often used abstruse, obscure imagery writing to express their thoughts, meaning that a path to their successful decipherment and interpretation isn't always readily found in primary sources. [9]
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese.Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the Classic of Poetry, dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE.
Chinese character external structure is on how the writing units are combined level by level into a complete character. There are three levels of structural units of Chinese characters: strokes, components, and whole characters. [3] For example, character 字 (character) is composed of two components, each of which is composed of three stokes: