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"Comfortably Numb" is a song by the English rock band Pink Floyd, released on their eleventh studio album, The Wall (1979). It was released as a single in 1980, with " Hey You " as the B-side . The music was composed by the band's guitarist, David Gilmour ; the lyrics were written by the bassist, Roger Waters , who recalled his experience of ...
"Pigs (Three Different Ones)" is a song from Pink Floyd's 1977 album Animals. In the album's three parts, "Dogs", "Pigs" and "Sheep", pigs represent the people whom the band considers to be at the top of the social ladder, the ones with wealth and power; they also manipulate the rest of society and encourage them to be viciously competitive and cut-throat, so the pigs can remain powerful.
The reprise ("In the Flesh") begins the same explosive organ sequence heard in the first song. Following this, the song then moves into a slightly quieter choir chorus, before the lyrical section. The end of the song features another organ sequence, and the song fades out to the chanting of "Pink! Floyd! Pink! Floyd!".
Ice-T's heavy metal band Body Count surprisingly got approval to sample Pink Floyd's "Comfortably Numb" hit: "Haven't agreed on anything in 20 years."
In the film Pink Floyd – The Wall, during the ominous opening to the song, Pink is standing in front of the completed wall, and throws himself against it several times as if trying to escape. Then, during the acoustic guitar section, it cuts to Pink laying out all his possessions on the floor of the hotel room in neat piles.
The song has been a staple in Gilmour's performances from 1994 to 2016. It was one of the songs performed on rotation during the 1994 Division Bell Tour, at every one of Gilmour's semi-acoustic shows in 2001 and 2002, at Gilmour's performance at the Fender Stratocaster 50th anniversary concert in London in 2004, and was played at most shows during his solo 2006 On an Island Tour.
The song is split into distinct segments: a groupie (Trudy Young) performs a monologue ("Oh my God, what a fabulous room!") while a television plays, under which a synthesizer makes atonal sounds, which eventually resolve into a quiet song in C major in 3/4 time ("Day after day / Love turns grey / Like the skin of a dying man."
INTERVIEW: The guitarist and his wife, the novelist Polly Samson, talk to Geordie Greig about collaborating on his new album, the secret of their lasting love, their fears about mortality, and why ...