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Metaphor: a rhetorical figure of speech marked by implicit comparison, rather than direct or explicit comparison like in a simile. In a metaphor, the tenor is the subject to which attributes are ascribed (i.e., the target); the vehicle is the subject from which the attributes are derived/borrowed (i.e., the source); and ground is the shared ...
An implicit metaphor has no specified tenor, although the vehicle is present. M. H. Abrams offers the following as an example of an implicit metaphor: "That reed was too frail to survive the storm of its sorrows". The reed is the vehicle for the implicit tenor, someone's death, and the storm is the vehicle for the person's sorrows. [24]
In analysing the parts of a metaphor, "tenor" has another meaning, unrelated to the meaning above. According to I. A. Richards, the two parts of a metaphor are the tenor and vehicle. The tenor is the subject to which attributes are ascribed. The vehicle is the subject from which the attributes are derived. [2]
The word simile derives from the Latin word similis ("similar, like"), while metaphor derives from the Greek word metapherein ("to transfer"). [3] As in the case of metaphors, the thing that is being compared is called the tenor, and the thing it is being compared to is called the vehicle. [9]
Americans will be paid to play in the Ryder Cup for the first time under a new PGA of America program announced Monday that gives them a $200,000 stipend and $300,000 for them to distribute to ...
Get ready for all of today's NYT 'Connections’ hints and answers for #578 on Thursday, January 9, 2025. Today's NYT Connections puzzle for Thursday, January 9, 2025The New York Times.
A Florida man is accused of killing his estranged girlfriend by stabbing her up to 70 times during a break-in Friday – exactly one month after he was nabbed for assaulting the victim and ordered ...
Here Foss invokes Max Black's interaction theory of "tenor" (the principal subject or focus) and "vehicle" (secondary subject or frame for the metaphor), a method to analyze ways in which the related dissimilar objects actually share similar characteristics. Third, the critic sorts the metaphors and looks for patterns of use within the text.