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  2. Kempyang and ketuk - Wikipedia

    en.wikipedia.org/wiki/Kempyang_and_ketuk

    Ladrang form on the balugan instruments. GONG = gong ageng Play approximation without colotomy ⓘ. The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong.

  3. Kendang - Wikipedia

    en.wikipedia.org/wiki/Kendang

    The technique of this kendang, which is said to imitate the water-play, [8] is more difficult to learn than the other kendang styles. Kendhang ketipung is the smallest kendang, used with the kendang ageng in kendhang kalih (double drum) style.

  4. Sundanese dances - Wikipedia

    en.wikipedia.org/wiki/Sundanese_dances

    Sundanese dance is usually cheerful, dynamic and expressive, with flowing movements in-sync with the beat of kendang accompanied with Gamelan degung music ensemble. In Sundanese culture the term ngibing means "to dance", but it is indeed performed in particular Sundanese style, usually performed between male and female couple. In West Java, all ...

  5. Gamelan siteran - Wikipedia

    en.wikipedia.org/wiki/Gamelan_Siteran

    Gamelan siteran is a casual style of gamelan in Java, Indonesia, featuring portable, inexpensive instruments instead of the heavy bronze metallophones of a typical gamelan. A typical group consists of varieties of siter (small zither, which leads to the name), kendang (drum), and a large end-blown bamboo tube or a gong kemodhong, functioning as a gong ageng.

  6. Sundanese music - Wikipedia

    en.wikipedia.org/wiki/Sundanese_music

    In Sundanese music the term musical instrument or musical sound produced in various ways is called Waditra.. In Sundanese music, there are several Waditra, namely Waditra Tiup (inflatable), Waditra Takol (beat), Waditra Tepak (tap), Waditra Keset (mat) and Waditra Geter (vibrate).

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  8. Gamelan gong kebyar - Wikipedia

    en.wikipedia.org/wiki/Gamelan_gong_kebyar

    The kendang part is the most complex in gong kebyar, drawing from a rich lexicon of rapid-fire, syncopated patterns to fit the mood and progression of pitched music. The lanang drummer is responsible for filling in an appropriate interlocking part. Kendang players may sit facing the same way, wadon in front and lanang behind.

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