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The scale ratio of a model represents the proportional ratio of a linear dimension of the model to the same feature of the original. Examples include a 3-dimensional scale model of a building or the scale drawings of the elevations or plans of a building. [1] In such cases the scale is dimensionless and exact throughout the model or drawing.
Models are built to scale, defined as the ratio of any linear dimension of the model to the equivalent dimension on the full-size subject (called the "prototype"), expressed either as a ratio with a colon (ex. 1:8 scale), or as a fraction with a slash (1/8 scale). This designates that 1 inch (or centimeter) on the model represents 8 such units ...
A proportion is a mathematical statement expressing equality of two ratios. [1] [2]: =: a and d are called extremes, b and c are called means. Proportion can be written as =, where ratios are expressed as fractions.
In mathematics, two sequences of numbers, often experimental data, are proportional or directly proportional if their corresponding elements have a constant ratio. The ratio is called coefficient of proportionality (or proportionality constant) and its reciprocal is known as constant of normalization (or normalizing constant).
For example, the face is about 1/10 of the total height, and the head is about 1/8 of the total height. [3] Vitruvius used these ratios to prove that the composition of classical orders mimicked the human body, thereby ensuring aesthetic harmonization when people viewed architectural columns.
Used by Heller for model ships, and proposed by the Japanese to supersede 1:144 scale trains. Models which are commonly made in scale at 1:150 are commercial airliners - such as the Airbus A320, Boeing 777 all the way to the jumbo jets - the Airbus A380 & Boeing 747. [8] 1:148: 2.059 mm: Model railways (British N) British N model railroad scale ...
For example, the height and width of the front of Notre-Dame of Laon have the ratio 8/5 or 1.6, not 1.618. Such Fibonacci ratios quickly become hard to distinguish from the golden ratio. [54] After Pacioli, the golden ratio is more definitely discernible in artworks including Leonardo's Mona Lisa. [55]
The original H–O model assumed that the only difference between countries was the relative abundances of labour and capital. The original Heckscher–Ohlin model contained two countries, and had two commodities that could be produced. Since there are two (homogeneous) factors of production this model is sometimes called the "2×2×2 model".
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