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The Pietà (Italian: [maˈdɔnna della pjeˈta]; "[Our Lady of] Pity"; 1498–1499) is a Carrara marble sculpture of Jesus and Mary at Mount Golgotha representing the "Sixth Sorrow" of the Virgin Mary by Michelangelo Buonarroti, in Saint Peter's Basilica, Vatican City, for which it was made.
English: The Pieta is now in the first temple on the right of Saint Peter's Basilica in the Vatican City. Français : ce groupe était destiné au tombeau du Cardinal Jean de Bilhères, abbé de Saint-Denis.
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Pieta of Kampbornhofen, Germany. Several Pietà images have received a pontifical decree of coronation, including the Pieta of Saint Peter's Basilica in Rome, those in the Marienthal Basilica in France, the Franciscan church in Leuven, Belgium, Kamp-Bornhofen, Germany, and Our Lady of Charity in Cartagena, Spain.
The Deposition (also called the Bandini Pietà or The Lamentation over the Dead Christ) is a marble sculpture by the Italian High Renaissance master Michelangelo.The sculpture, on which Michelangelo worked between 1547 and 1555, depicts four figures: the dead body of Jesus Christ, newly taken down from the Cross, Nicodemus [1] (or possibly Joseph of Arimathea), Mary Magdalene and the Virgin Mary.
The Palestrina Pietà is a marble sculpture of the Italian Renaissance, dating from c. 1555 and now in the Galleria dell'Accademia, Florence.It was formerly attributed to Michelangelo, but now it is mostly considered to have been completed by someone else, such as Niccolò Menghini [1] or Gian Lorenzo Bernini. [2]
Because of its small size and intimacy, the Pietà was probably not intended for a main church altar, rather for either a side altar or home altar to be viewed by those in repentance. [ 4 ] Its stylistic characteristics, including its iconography , pathos, austerity, high reliefs and links to 13th century German mysticism texts, suggest it ...