Search results
Results from the WOW.Com Content Network
La donna è mobile" (pronounced [la ˈdɔnna ˌɛ mˈmɔːbile]; "Woman is fickle") is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors .
The Lady Is Fickle (Italian: La donna è mobile [la ˈdɔnna ˌɛ mˈmɔːbile]) is a 1942 Italian comedy film directed by Mario Mattoli and starring Ferruccio Tagliavini, Fioretta Dolfi and Carlo Campanini. [1] [2] It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art director Piero Filippone.
Rigoletto is an opera in three acts [a] by Giuseppe Verdi.The Italian libretto was written by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo.Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851.
Català: Javier Camarena interpreta "La donna è mobile" de Rigoletto, de Verdi, en el seu debut com a Duc de Màntua al Gran Teatre del Liceu el 21 de març de 2017. Direcció d'escena: Monique Wagemakers. Direcció musical: Riccardo Frizza. Orquestra i Cor del Gran Teatre del Liceu. Direcció del Cor: Conxita Garcia.
Hoping to protect the Duke, the lovestruck Gilda enters the tavern and is immediately stabbed by Sparafucile, her dying body rolled up into a rug and dropped down a trapdoor onto Rigoletto's boat. Thinking it is the Duke, Rigoletto goes up the river to dispose of the body but in the distance hears the Duke singing La donna è mobile. The ...
2. "La donna è mobile", from Giuseppe Verdi's opera Rigoletto, sung by Nicolai Gedda. In the crimson heart of the wine in his glass, the (live-acted) Duke of Mantua embarks on a 2D fantasy in which he sees hand-drawn animated nude women based on those who come from famous paintings by French painters. Directed by Monique Renault.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
His drama La donna è mobile (Poupées électriques), first presented in Turin, was not successful either. Nowadays, the play is remembered through a later version, named Elettricità sessuale (Sexual Electricity), and mainly for the appearance onstage of humanoid automatons, ten years before the Czech writer Karel Čapek invented the term robot .