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The Highwaymen, also referred to as the Florida Highwaymen, are a group of 26 African American landscape artists in Florida. Two of the original artists, Harold Newton, and Alfred Hair, received training from Alfred “Beanie” Backus. It is believed they may have created a body of work of over 200,000 paintings.
In 1947, Butler moved to Okeechobee, Florida, [2] where he later became intimately familiar with the woods and waters of the Florida Everglades, and especially Lake Okeechobee, that feature prominently in his paintings. Robert Butler's goal in his paintings was to preserve the nature around him which was easily accessible due to his location.
He was a founding member of the Florida Highwaymen, a group of fellow African American landscape artists. [2] Newton and the other Highwaymen were influenced by the work of Florida painter A.E. Backus. Newton depicted Florida’s coastlines and wetlands. [3] Most of his paintings were of Florida landscapes. [4]
The Highwaymen are a group of 26 Black artists, including one woman, based in Fort Pierce who got their start in the mid-1950s painting various Florida landscapes to earn money instead of working ...
The Highwaymen began their artistic journey in the 1950s in Fort Pierce as a way to make a living outside of typical jobs held by African-Americans Al Black of 'Florida Highwaymen' fame to paint ...
With humble beginnings, Highwaymen art is now exalted as a distinctive American art genre with a permanent collection of the Smithsonian Institution. Local history: Florida Highwaymen started ...
Alfred Warner Hair was born 20 May 1941 in Fort Pierce, Florida, one of seven children of Samuel and Annie Mae Hair. [2] Hair graduated from Lincoln Park Academy in 1961, and attended one year at community college before dropping out to pursue his career as an artist.
The remaining members of the approximately 26 African-American landscape painters painting in and around Fort Pierce, Florida, were inspired by Backus' success but they were not actual students of Backus. The Highwaymen directly copied Backus' paintings with varying degrees of success, Harold Newton being the one whose work is closest to Backus.
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