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The Smurfette principle is the practice in media, such as film and television, to include only one woman in an otherwise entirely male ensemble. [1] [2] It establishes a male-dominated narrative, where the woman is the exception and exists only in reference to the men.
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Walt Disney Studios' Snow White and the Seven Dwarfs was not the first animated film to be feature-length. El Apóstol, a lost 1917 Argentine silent film that used cutout animation, is considered the first. [86] [87] [88] The misconception comes from Snow White and the Seven Dwarves being the first feature-length film to be animated on cels. [89]
"There is a lost art of the movie of male friends," says the picture's screenwriter, Justin Kuritzkes, calling out "The Big Chill" as a film "that makes you feel like you've known these guys for ...
In these earliest films, Méliès began to experiment with (and often invent) special effects that were unique to filmmaking. This began, according to Méliès' memoirs, by accident when his camera jammed in the middle of a take and "a Madeleine-Bastille bus changed into a hearse and women changed into men.
Filming of The Men Who Tread on the Tiger's Tail, 1945. For his early films, although they were consistently well photographed, Kurosawa generally used standard lenses and deep-focus photography. Beginning with Seven Samurai (1954), however, Kurosawa's cinematic technique changed drastically with his extensive use of long lens and multiple cameras.
Panofsky begins his essay by identifying two features that distinguish “film art” (see : art cinema) from preceding forms of art: first, film art was the only art whose beginnings were witnessed by people alive at the time of the essay’s composition (1934); second, whereas preceding arts were formed by “an artistic urge that gave rise to the discovery and gradual perfection of a new ...
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