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The second site is a remote platform in the middle of the Pacific Ocean. U.S. Army Captain J. J. Collins is recently reassigned to the latter of the two interceptor missile launch sites. Following a high-profile case where she reported sexual misconduct by her superior, she experienced hazing, bullying and threats and a new deployment as ...
In the first line of defense, inhaled bacteria are trapped by mucus and are swept toward the pharynx and are swallowed. [1] Bacteria which penetrate the mucous layer are dealt with a second line of defense which includes antimicrobial peptides that are secreted by the surface epithelium of the respiratory tract which kill many strains of ...
The forward line of defence is Moonbase from which the three lunar Interceptor spacecraft, that fire a single explosive warhead, are launched. [6] The second line of defence includes Skydiver , a submarine mated with the submersible, undersea-launched Sky One interceptor aircraft , which attacks UFOs in Earth's atmosphere. [ 7 ]
After training the women in reloading the weapons, the town awaits De Toro's arrival. The bandits attack, but the town's initial assault with long-range guns sends the outlaws into disarray. The defenders retreat to the second line of defense; protected by Elliott's clever fences, they dynamite many of the bandits.
Contravallation: a second line of fortifications behind the circumvallation facing away from the enemy fort to protect the besiegers from attacks by allies of the besieged. Escalade : the act of scaling defensive walls or ramparts with the aid of ladders, a prominent feature of siege warfare in medieval times.
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Fever is a 1991 made-for-TV thriller film, starring Armand Assante, Marcia Gay Harden and Sam Neill. [ 1 ] [ 2 ] It was written by Larry Brothers and directed by Larry Elikann. The film was first aired at HBO on May 11, 1991.
A.O. Scott in The New York Times: "Pure Hitchcockian panic.An arresting example of what a talented filmmaker can do with the sparest of means." Godfrey Cheshire in Variety: "An eerie, insinuating tale of urban dread and mental breakdown, [and] reps an impressively sophisticated solo directorial debut."