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Zwanger, Meryl, Women and Art in the Renaissance, in: Sister, Columbia University 1995/6. Judith Brown. Gender and Society in Renaissance Italy (Women And Men In History). 1998; Letizia Panizza, Women in Italian Renaissance Culture and Society. Oxford, 2000. ISBN 1-900755-09-2. Mary Rogers, Paola Tinagli. Women in Italy, 1350—1650 ...
Tina Modotti (1896–1942), photographer, model and actress; Maria Molin (18th century), pastellist; Eleonora Monti (1727–1760), painter; Sandra Moreschi (born 1946), designer of Jewish ceremonial art; Emma Moretto (19th century), painter; Marisa Mori (1900–1985), Futurist painter and printmaker; Valentina Murabito (born 1981), photographer ...
The painting began as a nude study with a posed model in a studio. It follows the conventions of academic art as typified by the Salon at the time. The model was Renoir's mistress and recurring model Lise Tréhot. According to the painter, he added the attributes of Diana because "the picture was considered pretty improper", and turning it into ...
La Bella is a portrait of a woman by Titian in the Palazzo Pitti in Florence. The painting shows the subject with the ideal proportions for Renaissance women. [1] In parallel the stringent composition corresponds to Titian's real portraits. The work can be dated by a letter about "that portrait of that woman in a blue dress" in May 1536.
The Ugly Duchess (also known as A Grotesque Old Woman) is a satirical portrait painted by the Flemish artist Quinten Matsys around 1513. The painting is in oil on an oak panel, measuring 62.4 by 45.5 cm. [ 1 ] It shows an old woman with wrinkled skin and withered breasts.
Producer Todd Gould and executive producer Clayton Taylor worked with Fortune and the AWA to produce a five-part television documentary. It describes a six-year project to research, restore, and exhibit works of art by women in Florence's museums and storage covering the restoration of works by three artists: Plautilla Nelli, Artemisia Gentileschi, and Irene Parenti Duclos who is the only ...
Female Nude is an 1876 painting by Pierre-Auguste Renoir, also known as Nude Woman Sitting on a Couch, Anna (after its model), After Bathing and Pearl.It is housed in the Pushkin Museum, in Moscow, and is an example of Renoir's many nude paintings, a recurring subject that preoccupied him throughout his life.
Portraits of such well-known women were ordered by their lovers and admirers, who were sometimes even pictured with them. [a] [17] Titian's Penitent Magdalene, c. 1531 (Palazzo Pitti) Phillips (1897) writes of "the exquisite, golden blond courtezans—or, if you will, models—who constantly appear and reappear in this period of Venetian art". [19]
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