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Street art influence in politics refers to the intersection of public visual expressions and political discourse.Street art, including graffiti, murals, stencil art, and other forms of unsanctioned public art, has been an instrumental tool in political expression and activism, embodying resistance, social commentary, and a challenge to power structures worldwide.
Graffiti ranges from simple written words to elaborate wall paintings. Graffiti, consisting of the defacement of public spaces and buildings, remains a nuisance issue for cities. In America, graffiti was used as a form of expression by political activists, and also by gangs such as the Savage Skulls, La Familia, and Savage Nomads to mark territory.
Graffiti on New York subway car, 1973 New York City subway train covered in graffiti, 1973 Graffiti on a brick wall in Brooklyn, 1974. The Faith of Graffiti is a five-part essay. Each part moves from surface-level content like interviews with the graffiti artists to philosophical musings on art and politics.
Graffiti began appearing around New York City with the words "Bird Lives" [1] but after that, it took about a decade and a half for graffiti to become noticeable in NYC. So, around 1970 or 1971, TAKI 183 and Tracy 168 started to gain notoriety for their frequent vandalism. [2]
Sticker art (also known as slaps in a graffiti context) [1] is a form of street art in which an image or message is publicly displayed using stickers. These stickers may promote a political agenda, comment on a policy or issue, or comprise a subcategory of graffiti. [2]
As Cisco, Bloch is widely credited as an innovator of 1990s-era graffiti writing styles including "topless letters" and "top-to-bottom freeway silvers," [59] [65] and is known as "one of LA's most prolific (and, in some circles, legendary) graffiti writers" according to Times Higher Education. [66]
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Women on Walls (Arabic: ست الحيطة Sitt el-Heita) is a public art project in Egypt aimed at empowering women through the use of street art, by encouraging the portrayal of strong Egyptian female figures in street art and empowering female street artists themselves to participate in the political space of graffiti.