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Norton notes that "complete in sense and form, unadapted to the traditional tunes and unaccompanied by music, the Sidney Psalter could appeal to the religious populace.", [29] which shows that what prevented Sidney's psalms from being accepted by the Church was her adaptation of the psalm to traditional poetry and her additional song-like quality.
In poetry the use of opposites can bring a sharper contrast to an image and provide a greater focus to the desired message. It is often marked by the use of the conjunction ‘but’, placed between two statements to juxtapose them and helps the reader or to view both the positive and negative perspectives of the text.
The employment of unusual forms of language cannot be considered as a sign of ancient Hebrew poetry. In Genesis 9:25–27 and elsewhere the form lamo occurs. But this form, which represents partly lahem and partly lo, has many counterparts in Hebrew grammar, as, for example, kemo instead of ke-; [2] or -emo = "them"; [3] or -emo = "their"; [4] or elemo = "to them" [5] —forms found in ...
Through his many verse dramas, Calderón has had a great influence in later centuries upon Symbolism, for example by making a fall from a horse a metaphor for a fall into disgrace or dishonour; the use of horoscopes or prophecies at the start of the play as a way of making false predictions about the following to occur, to defend the Catholic ...
An example of a 16th-century metrical psalter. A metrical psalter is a kind of Bible translation: a book containing a verse translation of all or part of the Book of Psalms in vernacular poetry, meant to be sung as hymns in a church. Some metrical psalters include melodies or harmonisations.
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Title page of the copy of the Bay Psalm Book held by the Beinecke Rare Book and Manuscript Library a page of the Bay Psalm Book in the Houghton Library. The Whole Booke of Psalmes Faithfully Translated into English Metre, commonly called the Bay Psalm Book, is a metrical psalter first printed in 1640 in Cambridge, Colony of Massachusetts Bay.
The Great Hymn to the Aten is the longest of a number of hymn-poems written to the sun-disk deity Aten. Composed in the middle of the 14th century BC, it is varyingly attributed to the 18th Dynasty Pharaoh Akhenaten or his courtiers, depending on the version, who radically changed traditional forms of Egyptian religion by replacing them with ...