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The Skull of Zurbarán (1956) Hirshhorn Museum and Sculpture Garden, Washington D.C. St. Helena at Port Lligat (1956) The Dali Museum, St Petersburg, Florida; Study for a fruit bowl in Still Life – Fast Moving (1956) Study for Nature Morte Vivante (1956) Untitled (Landscape with Butterflies) (1956) Vase of Flowers (1956) Wine Glass and Boat ...
Flesh and Spirit (painting) Flower Garland with Butterfly; Flower Garland with Dragonfly; For the Love of God; Four Continents (French) The Four Naked Women (Dürer) Francesco St Jerome; Funerary art in Puritan New England
Vanitas still life with flowers, a skull, hourglass, conch shell and silver jug on a partially draped table. Carel Fonteyn or Carel Fontyn [1] (fl Antwerp, 1655–1665) was a Flemish painter active in Antwerp. [2] He is known for his Vanitas still lifes with flowers, skulls and other Vanitas symbols. [3]
The skull and flowers are suspended over a mountainous desert landscape occupying the lower part of the composition. Summer Days is among several landscape paintings featuring animal skulls and inspired by New Mexico desert O'Keeffe completed between 1934 and 1936.
Jan van Kessel the Elder was a versatile artist who practiced in many genres including studies of insects, floral still lifes, marines, river landscapes, paradise landscapes, allegorical compositions, scenes with animals and genre scenes. [1]
For example, sometimes the butterfly is resting on a flower stem, or on the edge of a table with a flower vase, or on a book. The butterfly was used as a device to draw the viewer's attention into the painting and into van Oosterwijck's artistic vision. [8] The butterflies are also symbolic of Christ's resurrection. [17]
Unsigned, the painting is attributed to de Arellano due to the wide variety of flowers scientifically portrayed, the precise underdrawing and the quite free arrangement of them with the petals (especially those of the red and white tulip at bottom left) seemingly troubled by a breeze, though the inclusion of a dahlia and orange blossom is rare ...
Van Dael's flowers were based on botanical study, and according to a contemporary botanist, van Hulthem, he grew flowers in his garden to serve as models. [2] Van Dael applied a smooth gesso layer to his canvases, which allowed him to recreate the jewel-like quality of 17th century panels.
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