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Discourse on the Origin and Basis of Inequality Among Men (French: Discours sur l'origine et les fondements de l'inégalité parmi les hommes), also commonly known as the "Second Discourse", is a 1755 treatise by philosopher Jean-Jacques Rousseau, on the topic of social inequality and its origins.
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A Discourse on the Moral Effects of the Arts and Sciences (1750), also known as Discourse on the Sciences and Arts (French: Discours sur les sciences et les arts) and commonly referred to as The First Discourse, is an essay by Genevan philosopher Jean-Jacques Rousseau which argued that the arts and sciences corrupt human morality. It was ...
Jean-Jacques Rousseau (UK: / ˈ r uː s oʊ /, US: / r uː ˈ s oʊ /; [1] [2] French: [ʒɑ̃ʒak ʁuso]; 28 June 1712 – 2 July 1778) was a Genevan philosopher (), writer, and composer.. His political philosophy influenced the progress of the Age of Enlightenment throughout Europe, as well as aspects of the French Revolution and the development of modern political, economic, and educational ...
[2]: 79 Rousseau, who objected to extreme wealth inequality, also argued that equality is essential for the attainment of liberty, and concluded that legislation ought to preserve equality. [3] [2]: 80 Rousseau argues that the sovereign power must be separate from the government, which in Rousseau's terminology refers to the executive power ...
Rousseau considers this play to be a work of genius, but it is, of course, morally backwards. He reasons that even if comedy writers write a play that is morally acceptable, the audience will not find it funny. Therefore, theatres are of little use. [4] Rousseau turns to the topic of love, which, he says, is in the realm of women.
report. Walt okayed the images and caption copy identify-ing the Disney project only. No names were used; no indi-viduals were identified or credited in the photos. We all got the message. In thinking about this portion of the book, I realized that few people in the entertainment world have been written about as frequently as Walt Disney.
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