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"Rip Van Winkle" (Dutch pronunciation: [ˈrɪp fɑŋ ˈʋɪŋkəl]) is a short story by the American author Washington Irving, first published in 1819. It follows a Dutch-American villager in colonial America named Rip Van Winkle who meets mysterious Dutchmen, imbibes their strong liquor and falls deeply asleep in the Catskill Mountains.
Rip Van Winkle is the foremost familiar example, although strictly speaking this cannot be called a "folktale", since it is a fictional work by Washington Irving loosely based on folklore. [113] Nevertheless, Urashima has been labeled the "Japanese Rip van Winkle", even in academic folkloristic literature. [114] "
The story provides a Jewish version on the theme of a person or persons (as the Seven Sleepers) sleeping for many decades and waking to find a changed world—a theme originating in the story of Epimenides—found in many divergent cultures and traditions, and in modern times associated especially with the Rip Van Winkle story.
Van Dien adds, "Washington Irving went around and captured some of them," including Rip Van Winkle and the Legend of Sleepy Hollow, which he wrote and published in 1819 and 1820, respectively ...
Along with Irving's companion piece "Rip Van Winkle", "The Legend of Sleepy Hollow" is among the earliest examples of American fiction with enduring popularity, especially during Halloween because of a character known as the Headless Horseman believed to be a Hessian soldier who was decapitated by a cannonball in battle. [1]
In this adaptation of the classic Washington Irving short story and American tall tale as a fairy tale, Vanna Van is married to a heavy metal rocker named Rip Winkle. However, Rip is a sexist who prefers going on the road to nurturing Vanna's own musical skills or helping her with hearth and home. Vanna's fairy godmentor gives Rip some time to ...
The first installment, containing "Rip Van Winkle", was an enormous success, and the rest of the work was equally successful; it was issued in 1819–1820 in seven installments in New York and in two volumes in London ("The Legend of Sleepy Hollow" appeared in the sixth issue of the New York edition and the second volume of the London edition ...
Apart from "Rip Van Winkle" and "The Legend of Sleepy Hollow", both of which were immediately acknowledged as The Sketch Book's finest pieces, American and English readers alike responded most strongly to the more sentimental tales, especially "The Broken Heart", – which Byron claimed had made him weep [23] – and "The Widow and Her Son".