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Bosch's works are generally organised into three periods of his life dealing with the early works (c. 1470–1485), the middle period (c. 1485–1500), and the late period (c. 1500 until his death). According to Stefan Fischer, thirteen of Bosch's surviving paintings were completed in the late period, with seven attributed to his middle period ...
Ludwig von Baldass (1917) considered the painting to be an early work by Bosch. [50] However, since De Tolnay (1937) [51] consensus among 20th-century art historians placed the work in 1503–1504 or even later. Both early and late datings were based on the "archaic" treatment of space. [52]
Modern attribution of the painting (to an as yet anonymous follower of Bosch) was based on an analysis of the music in the open book, which shows notes of the chanson Toutes les nuictz by Thomas Crecquillon from 1549. [2] The work was bought in 1890 for 400 francs by the Palais des Beaux-Arts de Lille from Morhange, a Parisian art dealer. [1]
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Bosch's works are generally organized into three periods of his life dealing with the early works (c. 1470–1485), the middle period (c. 1485–1500), and the late period (c. 1500 until his death). According to Stefan Fischer, thirteen of Bosch's surviving paintings were completed in the late period, with seven surviving paintings attributed ...
The Wayfarer (or The Pedlar) is an oil-on-panel painting by the Early Netherlandish artist Hieronymus Bosch, created c. 1500. It is now in Museum Boijmans Van Beuningen in Rotterdam . This painting is round and 71.5 cm (28.1 in) in diameter.
Xavier, Duquenne, ≪ La famille Scheyfve et Jerome Bosch ≫, L’intermediaire des genealogistes, janvier-fevrier 2004, p. 1-19; Matthijs Ilsink, Jos Koldeweij, Hieronymus Bosch: Painter and Draughtsman – Catalogue raisonné, Yale University Press, New Haven and London 2016, pp 198–215.
Ecce Homo is a painting of the episode in the Passion of Jesus by the Early Netherlandish painter Hieronymus Bosch, painted between 1475 and 1485.The original version, with a provenance in collections in Ghent, is in the Städel Museum in Frankfurt; a copy is held the Museum of Fine Arts in Boston.