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John Reese, a former Special Forces soldier and CIA operative, is burnt out and presumed dead, living as a vagrant in New York City.He is approached by Harold Finch, a reclusive billionaire software genius who built a computer system for the U.S. government after September 11, 2001, called the Machine, which monitors all electronic communications and surveillance video feeds in order to ...
Person of Interest is an American science fiction crime drama television series created by Jonathan Nolan, who serves as an executive producer alongside J. J. Abrams, Bryan Burk, Chris Fisher, Greg Plageman, and Denise Thé. [1]
With these ratings, Person of Interest was the most watched show on CBS for the night, second on its timeslot and third for the night in the 18-49 demographics, behind Maya & Marty, and America's Got Talent. With Live +7 DVR factored in, the episode was watched by 9.01 million viewers with a 1.5 in the 18–49 demographics. [21]
"Control-Alt-Delete" is the 12th episode of the fourth season of the American television drama series Person of Interest. It is the 80th overall episode of the series and is written by Andy Callahan and directed by Stephen Surjik. It aired on CBS in the United States and on CTV in Canada on January 13, 2015.
John Reese (Jim Caviezel), a former Special Forces soldier and CIA operative, is burnt out and presumed dead, living as a vagrant in New York City.He is approached by Harold Finch (Michael Emerson), a reclusive billionaire software genius who built a computer system for the U.S. government after September 11, 2001 which monitors all electronic communications and surveillance video feeds, in ...
"B.S.O.D." is the 1st episode and season premiere of the fifth season of the American television drama series Person of Interest. It is the 91st overall episode of the series and is written by executive producer Greg Plageman and Tony Camerino and directed by executive producer Chris Fisher .
Phil Dyess-Nugent of The A.V. Club gave the episode a "B+" grade and wrote, "Person Of Interest ' s vision of a secret war over the apparatus of the security state involves so much plot machinery running on so many different interlocking tracks that the show might just seem mechanical if the people involved weren't so vivid." [5]
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