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Beethoven's Piano Concerto No. 3 in C minor, Op. 37 is always thought to have been composed in 1800, although the year of its composition has been questioned by some contemporary musicologists. It was first performed on 5 April 1803, with the composer as soloist. [ 1 ]
Tovey, c. 1938 Sir Donald Francis Tovey (17 July 1875 – 10 July 1940) was a British musical analyst, musicologist, writer on music, composer, conductor and pianist.He had been best known for his Essays in Musical Analysis [1] [2] and his editions of works by Bach and Beethoven, but since the 1990s his compositions (relatively small in number but substantial in musical content) have been ...
0–9. Piano Concerto No. 0 (Beethoven) Piano Concerto No. 1 (Beethoven) Piano Concerto No. 2 (Beethoven) Piano Concerto No. 3 (Beethoven) Piano Concerto No. 4 (Beethoven) Piano Concerto No. 5 (Beethoven) Piano Concerto No. 6 (Beethoven)
Piano Concerto No. 3 refers to the third piano concerto written by one of a number of composers: Piano Concerto No. 3 (Balada), by Leonardo Balada, 1899; Piano Concerto No. 3 (Bartók) in E major (Sz. 119, BB 127) by Béla Bartók, 1945; Piano Concerto No. 3 (Beethoven) in C minor (Op. 37), c.1800; Piano Concerto No. 3 (Chopin) (Allegro de ...
Beethoven also seemed to have an interest in all current musical genres, including three piano concertos (the 2nd, in B-flat major, being a revised version of a piano concerto from his Bonn years), some violin and cello sonatas, and the Op.18 string quartets. [25]
An analysis of locks of Ludwig van Beethoven’s hair suggest he had lead poisoning. It may have contributed to chronic ailments, deafness and — ultimately — his demise.
Beethoven's portrait by Joseph Karl Stieler, 1820. Ludwig van Beethoven (1770–1827) was a German composer in the transition between the classical and romantic period. He composed in many different forms including nine symphonies, five piano concertos, and a violin concerto. [1] Beethoven's method of composition has long been debated among ...
Beethoven's multi-movement works in C minor tended to have a slow movement in a contrasting major key, nearly always the subdominant of C minor's relative key (E ♭ major): A ♭ major, providing "a comfortingly cool shadow or short-lived respite", [10] but also the relative key (E ♭ major, Op. 1/3), the tonic major (C major, Opp. 9/3, 18/4 ...