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Faheem Rashad Najm (born September 30, 1984), [4] known professionally as T-Pain, is an American singer, songwriter, rapper, and record producer.He is known for popularizing creative use of Auto-Tune pitch correction, often used with extreme parameter settings to create electronic-styled vocal performances.
In 2017, music critic Jon Caramanica of The New York Times opined that SoundCloud rap "in the last year has become the most vital and disruptive new movement in hip-hop". [23] Todd Moscowitz, the founder of Alamo Records, called the scene a "lo-fi movement" noting the heavily distorted bass and intentional lack of polish in the sound.
T-Pain, the R&B singer and rapper who reintroduced the use of Auto-Tune as a vocal effect in pop music with his album Rappa Ternt Sanga in 2005, said, "My dad always told me that anyone's voice is just another instrument added to the music. There was a time when people had seven-minute songs, and five minutes were just straight instrumental. ...
Yeat has stated the latter two are some of his biggest inspirations. He also cited American rapper T-Pain as one of his biggest influences growing up, calling him "The GOAT of Auto-Tune". [8] Yeat's signature vocal preset is based on a vocal chain given to him by formerly frequent collaborator and fellow musician Weiland. [10]
The Gregory Brothers (using the YouTube username 'schmoyoho') first became well known for a series of YouTube videos, Auto-Tune the News (rebranded in 2011 as Songify the News), in which recorded voices of politicians, news anchors, and political pundits were digitally manipulated to conform to a melody, making the figures appear to sing.
The New Orleans rapper, who was formerly a part of the Hot Boys with Lil Wayne, Juvenile and Turk, was arrested during a traffic stop in 2009 after an officer found three guns in his car — two ...
Regarding the general view that Drake introduced singing in mainstream hip-hop, the publication said that at the height of Auto-Tune in hip-hop during the late 2000s, "there were virtually no artists who were both a legit rapper and a legit crooner who delivered velvety smooth pop/R&B hybrid vocals that could exist separately from his hip-hop ...
The OED traced the origin of woke's newer definition to a 1962 New York Times article by Black author William Melvin Kelley describing how white beatniks were appropriating Black slang at the time.