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Raku ware (楽焼, raku-yaki) is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of chawan tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln ...
Traditionalist ware produced by a small village community without electricity. Mostly simply but elegantly decorated slipware, in a style going back to the 18th century. Ōtani ware: 大谷焼: Naruto, Tokushima: A large type of pottery Raku ware: 楽焼: A technique and style practised all over Japan, and now the world.
He also produced ceramic ware in Owari domain. He specialised in making elaborate ceramic pieces by applying maki-e, to make them resemble lacquerware or wood. [9] Some of his works were done in the Raku ware style, from which it received its name. The fifth generation, Toyosuke, died in 1885. [10] The sixth generation, Toyosuke, lived from ...
Horse hair vase. Horse hair raku is a method of decorating pottery through the application of horsehair and other dry carbonaceous material to the heated ware. The burning carbonaceous material creates smoke patterns and carbon trails on the surface of the heated ware that remain as decoration after the ware cools.
He also developed many implements for tea ceremony, including flower containers, teascoops, and lid rests made of bamboo, and also used everyday objects for tea ceremony, often in novel ways. Raku teabowls were originated through his collaboration with a tile-maker named Raku Chōjirō. Rikyū had a preference for simple, rustic items made in ...
Rikyū also began designing his own tea wares, sometimes having them made by local craftsmen. Raku ware tea bowls originated from Rikyū having the tile maker named Raku Chōjirō create tea bowls for him. [2] He even created his own objects to use in the tea room, including flower containers made of bamboo he cut himself.
A saying in the tea ceremony schools for the preferred types of chawan relates: "Raku first, Hagi second, Karatsu third." [9] Another chawan type that became slightly popular during the Edo period from abroad was the Annan ware from Vietnam , which were originally used there as rice bowls. Annan ware is blue and white, with a high foot.
Tea bowl, known as Suchiro, studio of Chōjirō. Tanaka Chōjirō (長次郎) (1516-?1592) is distinguished as the first generation in the Raku family line of potters. . According to historical documents he was the son of one Ameya, who is said to have emigrated to Japan from Korea (or possibly Ming China, as asserted on the RAKU WARE website (link below) of the still active line of potters h