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Robert Rauschenberg: "A canvas is never empty". [20] In the early 1950s, became known for white, then black, and eventually red monochrome canvases. In the White Paintings [21] (1951) series, Rauschenberg applied everyday house paint with paint rollers to achieve smooth "blank" surfaces. White panels were exhibited alone or in modular groupings.
Hamaguchi returned to France in 1953 to market his prints in the Parisian art scene. By then, the majority of his new works were monochrome copperplate etchings executed in gray, black, and white such as Gypsies (1954). His prints appealed to European collectors, and led to his acquisition of multiple prestigious awards in Japan, including the ...
Interlude is an oil-on-canvas work by mid-20th-century painter John Koch, that sits in the Memorial Art Gallery's permanent collection. [1] It was completed in 1963 in the midst of the Civil Rights Movement. It is one of Koch's many known works featuring himself and a nude model in-studio.
Stella used commercial enamel paint and a house-painter's brush, he painted black stripes of the same width and evenly spaced on bare canvas, leaving the thin strips of canvas between them unpainted and exposed, along with his pencil-and-ruler drawn guideline. [2] These works are considered to have been Stella's breakthrough works.
In 1968, he received an award of recognition from the 5th Korean Art Awards. He often uses a monochromatic palette, usually in white, yellow, black or blue. The paint is applied to the canvas using his fingers, brushes and rollers; while his drawings are made with an awl tool on paper. His work is considered meditative. [1]
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.
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