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Though Appalachian and African American folk music became the basis for most of American popular music, the United States is home to a diverse assortment of ethnic groups. In the early 20th century, many of these ethnic groups supported niche record industries and produced minor folk stars like Pawlo Humeniuk , the "King of the Ukrainian ...
Music history of the United States Colonial era – to the Civil War – During the Civil War – Late 19th century – 1900–1940 – 1950s – 1960s – 1970s – 1980s This is a timeline of music in the United States .
In New England, the music was very religious and was vitally important in the rising of American music. The migration of people southward led to the settling of the Appalachian Mountains. There many poor Europeans inhabited and brought country blues and fiddling. As music spread, the religious hymns were still just as popular
W. S. B. Matthews' A Hundred Years of Music in America is the first attempt at a history of "popular and the higher music education" in the country; it hails Lowell Mason as the founder of American music. [24] [56] The first African American woman to compose a produced opera is Louisa Melvin Delos Mars, with Leoni, the Gypsy Queen. [57]
The United States' multi-ethnic population is reflected through a diverse array of styles of music.It is a mixture of music influenced by the music of Europe, Indigenous peoples, West Africa, Latin America, Middle East, North Africa, amongst many other places.
Modern Native American pow wows arose around the turn of the 20th century. While some claim that pow wow had been an integral part of indigenous cultures for over 10 centuries, some modern analysts believe that pow wows were invented to appeal to tourists and had only a tangential relationship to genuine Native American traditions, which generally revolved around ceremonial dance music like ...
This timeline of music in the United States covers the period from 1850 to 1879. It encompasses the California Gold Rush, the Civil War and Reconstruction, and touches on topics related to the intersections of music and law, commerce and industry, religion, race, ethnicity, politics, gender, education, historiography and academics.
In Louisiana, drums remained legal well into the 19th century. There, African slaves, many from the Caribbean islands, danced in large groups, often in circle dances.As of 1817, dancing in New Orleans had been restricted to the area called Congo Square, which was a hotbed of musical fusionism, as African styles from across America and the Caribbean met.