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Adoption is an important feature of Reformation theology as demonstrated by article 12 of the Westminster Confession of Faith: [4] [5] All those that are justified, God vouchsafes, in and for His only Son Jesus Christ, to make partakers of the grace of adoption, by which they are taken into the number, and enjoy the liberties and privileges of ...
The Word became flesh to make us "partakers of the divine nature": "For this is why the Word became man, and the Son of God became the Son of man: so that man, by entering into communion with the Word and thus receiving divine sonship, might become a son of God."[St. Irenaeus] "For the Son of God became man so that we might become God."[St ...
[39] His overall concern is that "The mind that takes up with images is a mind that has not yet learned to love and attend to God's Word." [40] In other words, image making relies on human sources rather than on divine revelation. Another typical Christian argument for this position might be that God was incarnate as a human being, not as an ...
Biblical references to God's love for the orphan and the belief that people are saved through adoption into God's family are often noted. Some circles do accept medical interventions, since improving opportunities for pregnancy is not seen to guarantee it any more than with any healthy couple.
Dixon Handshaw thought he was an only child for most of his life. But decades after being adopted, the 75-year-old learned he has a handful of siblings, whom he met just in time for the holidays.
Francesco Albani's The Baptism of Christ, when Jesus became one with God according to adoptionism. Adoptionism, also called dynamic monarchianism, [1] is an early Christian nontrinitarian theological doctrine, [1] subsequently revived in various forms, which holds that Jesus was adopted as the Son of God at his baptism, his resurrection, or his ascension.
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The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, [2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3]