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Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.. Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary. The works encompassed are from Giotto in the early 14th century to Michelangelo 's Last Judgement of the 1530s.
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
The painting demonstrates connections to International Gothic, evident in the slender and elegant figure with flowing drapery that breaks at the knee. Additionally, elements of the Paduan Renaissance are incorporated, such as the expansive treatment of the throne and the inclusion of decorative details that evoke an earlier artistic style. [6]
Paintings from the Renaissance period in Western Europe, considered to have begun in the 14th century in Italy and the 16th century in northern Europe. See also Early Renaissance painting and Renaissance Classicism
Detail of the background (right side) The Mona Lisa bears a strong resemblance to many Renaissance depictions of the Virgin Mary, who was at that time seen as an ideal for womanhood. [44] The woman sits markedly upright in a pozzetto armchair with her arms folded, a sign of her reserved posture. Her gaze is fixed on the observer.
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.
This painting is considered one of the most famous Madonna portraits of Italian Renaissance painter, Raphael. Many art historians believe that this painting is the peak of Raphael's achievements and one of his strongest pieces from his Florentine phase. [3] Raphael began to paint La Belle Jardinière after finishing Madonna of the Goldfinch.
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