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High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth.It commonly refers to 96 or 192 kHz sample rates.
Many double-blind music listening tests have been carried out. The following table lists the results of several listening tests that have been published online. To obtain meaningful results, listening tests must compare codecs' performance at similar or identical bitrates , since the audio quality produced by any lossy encoder will be trivially ...
A PCM signal is a sequence of digital audio samples containing the data providing the necessary information to reconstruct the original analog signal.Each sample represents the amplitude of the signal at a specific point in time, and the samples are uniformly spaced in time.
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.
Released as free software in 2004 BSD-3-Clause (since OpenMPT 1.17.02.53) / GPL-2.0-or-later, partly public domain: SoundTracker: Yes No Yes No Fast Tracker clone GPL-2.0-or-later: SunVox: Alexander Zolotov Yes Yes Yes Yes Also runs on Windows CE. Proprietary (Music Creation Studio) BSD-3-Clause (Engine) Noise Station: Mark Sheeky No No No Yes ...
Sound quality is typically an assessment of the accuracy, fidelity, or intelligibility of audio output from an electronic device. Quality can be measured objectively, such as when tools are used to gauge the accuracy with which the device reproduces an original sound; or it can be measured subjectively, such as when human listeners respond to ...
Output power for amplifiers is ideally measured and quoted as maximum Root Mean Square power output per channel, at a specified distortion level at a particular load, which, by convention and government regulation, is considered the most meaningful measure of power available on music signals, though real, non-clipping music has a high peak-to ...
In May 2004, a series of double-blind listening tests [5] (as reported on Slashdot [6]) suggested that Musepack and Ogg Vorbis (which was the 1.1 "aoTuV" fork at the time) were the two best available codecs for high-quality audio compression at bitrates around 128 kbit/s, beating MP3, AAC, WMA, and ATRAC.
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