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The idea was to create The All-Negro Hour, a radio program specifically for black audiences by black creators and performers. [2] Silverstein was the only station owner that took interest in his show and agreed to air it on November 3, 1929. [2] The show featured exclusively black guests, performers, actors, musicians, and comedians. [6]
The second series introduced new characters including Blaxploitation Pope, who is Lucius T. Kool III, a ghetto brother and leader of the Catholic Church; President Umbukele, who is an expert in diplomacy and acquiring foreign aid, but then spends it all on silly things; bad influence Granddad; and a family of animated polar bears with Brummie ...
Taboo (1922 play) A Taste of Honey; The Far Country (play) The Road (play) This Is How It Goes; Thurgood (play) To Kill a Mockingbird (2018 play) Toussaint Louverture: The Story of the Only Successful Slave Revolt in History; Trying to Find Chinatown; Twilight: Los Angeles, 1992
The African Grove Theatre was attended by "all types of black New Yorkers -- free and slave, middle-class and working-class" [1] along with others. It was the first place where Ira Aldridge , who would later become an esteemed and renowned Shakespearian actor, first saw a production of a Shakespeare play.
Christian comedy is increasingly being used as an outreach, with the idea that a comedy show is an effective method to bring people into church who may have never thought about coming. [2] Christian comedy is also used as a method to renew and refresh the spirit of church members, based on the Bible passage that says laughter does a heart good ...
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The skits would elaborately make fun of gender stereotypes or other gendered qualities that went against the cultural norms of the community. [2] Common themes included opinionated women, premarital pregnancies, males who expressed more feminine qualities than societal standards, racial minorities , and “rural folk.” [ 2 ]
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