Search results
Results from the WOW.Com Content Network
Fill the Frame; Patterns; Textures; The composition techniques in photography are mere guidelines to help beginners capture eye-catching images. These provide a great starting point until an individual is able to outgrow them in capturing images through more advance techniques.
This category contains categories and articles relating to the theory and methodology of composing and/or taking photographs, or to their manipulation during or after processing.
Typical headroom framing in Leonardo da Vinci's Mona Lisa or La Gioconda, 1503–1505/1507. The concept of headroom was born with portrait painting techniques. [4] Classical painters used a technique linked to headroom called the "rule of thirds".
Different techniques can be used to create physical texture, which allows qualities of visual art to be seen and felt. This can include surfaces such as metal, sand, and wood. Optical texture is when the illusion of physical texture is created. Photography, paintings, and drawings use visual texture to create a more realistic appearance. [5]
Example of Golden Triangle method on a painting. Compositional elements fall within the triangles. The golden triangle rule is a rule of thumb in visual composition for photographs or paintings, especially those which have elements that follow diagonal lines. The frame is divided into four triangles of two different sizes, done by drawing one ...
Framing can make an image more aesthetically pleasing and keep the viewer's focus on the framed object(s). It can also be used as a repoussoir , to direct attention back into the scene. It can add depth to an image, and can add interest to the picture when the frame is thematically related to the object being framed.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Agfacolor. Ap-41 process (pre-1978 Agfa color slides; 1978-1983 was a transition period when Agfa slowly changed their color slide films from AP-41 to E6); Anthotype; Autochrome Lumière, 1903