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The term blues scale refers to several different scales with differing numbers of pitches and related characteristics. A blues scale is often formed by the addition of an out-of-key "blue note" to an existing scale, notably the flat fifth addition to the minor pentatonic scale. However, the heptatonic blues scale can be considered a major scale ...
Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ... Blues scale: Blues scale on C. Play ...
The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. [1] [2] [3] The lowered fifth is also known as the raised fourth. [4] Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of ...
Notes that are shown as sharp or flat in a key signature will be played that way in every octave—e.g., a key signature with a B ♭ indicates that every B is played as a B ♭. A key signature indicates the prevailing key of the music and eliminates the need to use accidentals for the notes that are always flat or sharp in that key. A key ...
Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk and gospel, the percussive rhythms of jazz, the lyrics of Tin Pan Alley, and the widespread use of amplification and electric ...
A regular piano cannot play blue notes, but with electric guitar, saxophone, trombone and trumpet, performers can "bend" notes a fraction of a tone sharp or flat to create blue notes. For instance, in the key of E, the blue note would be either a note between G and G ♯ or a note moving between both.
The blue notes, located on the third, fifth, and seventh notes of a diatonic major scale, are flattened by a variable microtone. [101] Joe Monzo has made a microtonal analysis of the song "Drunken Hearted Man", [ 102 ] written and recorded by the delta blues musician Robert Johnson .
The modern keyboard is designed for playing a diatonic scale on the white keys and a pentatonic scale on the black keys. Chromatic scales involve both. Three immediately adjacent keys produce a basic chromatic tone cluster. Prototypical tone clusters are chords of three or more adjacent notes on a chromatic scale, that is, three or more ...
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