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Albatross (instrumental) Alley Cat (song) Amen, Brother; L'amour est bleu; And the Address; Anji (instrumental) Apache (instrumental) Applejack (song) Apples and Bananas (instrumental) Asia Minor (instrumental) At the Sign of the Swingin' Cymbal; Atlantis (instrumental)
Each half-hour video featured around 10 songs in a music video style production starring a group of children known as the "Kidsongs Kids". They sing and dance their way through well-known children's songs, nursery rhymes and covers of pop hits from the '50s, '60s, '70s and '80s, all tied together by a simple story and theme.
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During the 1950s European popular music give way to the influence of American forms of music including jazz, swing and traditional pop, mediated through film and records. The significant change of the mid-1950s was the impact of American rock and roll , which provided a new model for performance and recording, based on a youth market.
"The Happy Organ" is an instrumental composition made famous by Dave "Baby" Cortez in 1959. Cortez co-composed it with noted celebrity photographer James J. Kriegsmann and frequent collaborator Ken Wood. A significant portion of the tune bears a strong resemblance to the traditional "Shortnin' Bread" tune.
Classical [vague] sheet music, for example, is widely available for free use and reproduction. Some more current works are also available for free use through public works projects such as Internet Archive. This and similar projects aim to preserve and make readily available thousands of public domain music files, many of which have been ...
"Rumble" is an instrumental by American group Link Wray & His Wray Men. Released in the United States on March 31, 1958, as a single (with "The Swag" as a B-side), "Rumble" utilized the techniques of distortion and tremolo, then largely unexplored in rock and roll.
As the pop music market exploded in the late 1950s, dance fads were commercialized and exploited. From the 1950s to the 1970s, new dance fads appeared almost every week. Many were popularized (or commercialized) versions of new styles or steps created by African-American dancers who frequented the clubs and discothèques in major U.S. cities ...